One of the ideas that I had about traditional haiku was that it was always supposed to be a serious, meaningful reflection - or "snapshot", as we discussed last week - of nature or life. Turns out that is completely untrue. Many of the old masters wrote humorous haiku reflecting their situations as well, and late 19th-early 20th century haiku writers invoked more of modern life into their writings.
"The mosquitoes are out, they're out!"
says the idler,
walking along, slapping them.
says the idler,
walking along, slapping them.
- Kobayashi Issa (1763-1827)
Just now, the three bases
are loaded; uncontrollably
my heart is pounding.
- Masaoka Shiki (1867-1902)
Changing lodgings,
pulling out nose hair, too;
plum flowers.
Uejima Onisura (1661-1738)
Just like the persimmons,
my testicles are cold
in the autumn wind.
Taigu Ryokan (1758-1831)
Ignoring the fact that I need
to sleep;
cats in spring
Inoue Seigetsu (1822-1887)
In a lodging you have gotten used to,
even the mosquitos
are interesting.
Takahama Kyoshi (1874-1959)
Completely naked,
I write and offer up a thought
for today.
Ogiwara Seisensui (1884-1976)
Shelling chestnuts;
how happy the children in beddy-bye will be
tomorrow.
Sugita Hisajo (1890-1946)
Will it be puckery?
I don't know;
I don't know;
the first-picked persimmon.
Fukuda Chiyo-Ni (1703-1775)
Our first telephone.
And sure enough,
my father's voice.
Hoshino Tatsuko (1903-1984)
Works cited:
Wilson, William Scott. A Beginner's Guide to Japanese Haiku: Tuttle Publishing, New York: 2022.
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