This morning was one of those mornings. I peered out the window and discovered a fog, a mist which had covered the world in damp yet was surprisingly warm. Warmer than it's been in a while in the morning, I grabbed my bokken and headed outside.
I love the world in a fog - more so in a warm fog, as it turns out. The light from streetlights and outdoor lights is diffused, pouring through the gaps in the fence on visible chains of photons. The sound seems muffled as well - not just the quiet of morning, but the deadening of all sound.
The treat for me was the moisture- so much that it dripped as a slow rainfall from the oaks hidden in the foggy half-light.
It was, I decided, perfect Iaido weather.
Assume the position. Migi, Hidari. Hand to tsuba and tsuka as I turn my body and step migi. Saibiki as I pull the saya down from the blade.
And plop! A large drop of moisture lands squarely on my head (the samurai tales never mention that). Shake my head, continue on.
And so I move through the morning mist, drawing and sheathing, cutting and blocking, moving forward and back as the bokken scatters the diffused light and water into invisible waves which make the plunging drops of collected moisture plunge to the ground.
There are times - all too seldom -when in practicing a martial art one reaches the point where not only is one's movement in synch, but the very atmosphere one practices in is equally balanced, where the movement of one's self and the movement of the world around them come together to create an experience which while being simple practice session shines to the very core of the art itself.
Today was such a day.
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